Frank Sinatra The Best things Ever

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Frank Sinatra was indisputably the 20th century’s greatest singer of popular song. Though influenced by Bing Crosby’s crooning, and by learning from trombonist Tommy Dorsey’s breath control and blues singer Billie Holiday’s rhythmic swing, Frank Sinatra mainstreamed the concept of singing colloquially, treating lyrics as personal statements and handling melodies with the ease of a jazz improviser. His best work is standards —Cole Porter, Irving Berlin, Jerome Kern, and the Gershwins —but Sinatra, despite his 1957 denunciation of rock & roll as degenerate, has recorded songs by the likes of Stevie Wonder, George Harrison, Jimmy Webb, and Billy Joel. Not only did his freely interpretive approach pave the way for the idiosyncrasies of rock singing, but with his character a mix of tough-guy cool and romantic vulnerability, he became the first true pop idol, a superstar who through his music established a persona audiences found compelling and true.
Sinatra, an only child of a family with Sicilian roots, grew up in Hoboken, and sang in the glee club of Demarest High School. His break came in 1937, when he and three instrumentalists, billed as the Hoboken Four, won on the Major Bowes Original Amateur Hour. After some touring, the group disbanded.
Harry James signed Sinatra to sing with his orchestra, and on July 13, 1939, two weeks after his debut as a big-band vocalist at the Hippodrome Theatre in Baltimore, Sinatra cut his first disc, “From the Bottom of My Heart,” with the orchestra. Of the 10 sides he recorded with them, the biggest seller, “All or Nothing at All,” sold just over 8,000 copies upon release. In 1943 it was rereleased and became the first of Sinatra’s many million-sellers, hitting #2 on the chart.
In 1940 Tommy Dorsey’s lead singer, Jack Leonard, quit and Sinatra began a two-year stay with the trombonist. During those years, the band consistently hit the Top 10 (15 entries in 1940–41, including their first, the #1 hit “I’ll Never Smile Again”). His radio work with Dorsey was the springboard for Sinatra’s solo career. During the war years, Sinatra, married at the time to his childhood sweetheart, Nancy, sang love songs to his mostly female audiences, notably on Lucky Strike’s Hit Parade and at New York’s original Paramount Theatre. Between 1943 and 1946 he had 17 Top 10 chart singles, and earned the sobriquets “The Voice” and “The Sultan of Swoon.” With the GIs back in the U.S., public taste shifted away from these songs, and Sinatra’s popularity waned. At Columbia, producer Mitch Miller burdened Sinatra with novelty songs (washboard accompaniment on one, barking dogs on another), and his sales slipped to an average of 30,000 per record. In the early ’50s, he was dropped by Columbia and by his talent agent and lost his MGM motion picture contract. To regain his popularity, he begged to be cast as Maggio in the film From Here to Eternity. His first nonsinging role, it won him a 1953 Oscar and a return to the limelight. (His film debut had been with the Tommy Dorsey Orchestra in 1941’s Las Vegas Nights.)
The fledgling Capitol Records signed him in 1953 and, with ex-Dorsey trombonist and arranger Nelson Riddle, Sinatra moved into the next phase of his recording career with a new emphasis: saloon ballads and sophisticated swing tunes. With Capitol, he concentrated on albums, although he again charted in the singles Top 10, notably with “Young at Heart” (#2, 1954), “Learnin’ the Blues” (#1, 1955), “Hey! Jealous Lover” (#3, 1956), “All the Way” (#2, 1957), and “Witchcraft” (#6, 1958). His best albums of the period were arranged by Riddle, Billy May, or Gordon Jenkins.
Through the early ’50s, during which he was married to film actress Ava Gardner, having left Nancy in 1950, Sinatra became a movie star. He won especially high praise for his portrayal of a drug addict in The Man With the Golden Arm (1955). Beginning in 1959, two years after he divorced Gardner, his singles failed to hit the Top 30, and in 1961 Sinatra left Capitol to establish his own company, Reprise. (In 1963 he sold Reprise to Warner Bros. and became a vice president and consultant of Warner Bros. Picture Corp.)
   Sinatra decided to try again to become a Top 40 singles artist. “The Second Time Around” hit #50 in 1961; subsequent releases charted lower. But in the mid-’60s he recouped. He was the triumphant headliner of the final evening of the 1965 Newport Jazz Festival in a 20-song set accompanied by Count Basie’s orchestra, conducted by Quincy Jones. His 1965 Thanksgiving TV special, Frank Sinatra: A Man and His Music, a review of his 25-year career, won an Emmy and set the precedent for numerous other TV specials, including one each in the next four years. That year he also picked up a Grammy Lifetime Achievement Award. In 1966–67 he charted three of his biggest Top 10 hits: “Strangers in the Night” (#1, 1966), “That’s Life” (#4, 1966), and a duet with daughter Nancy, “Somethin’ Stupid” (#1, 1967).









In the 1960s he made his Las Vegas debut at the Sands and continued for years as a main attraction at Caesars Palace. Leader of the notorious “Rat Pack,” including Sammy Davis Jr., Dean Martin, Peter Lawford, and Joey Bishop, he came to epitomize the hard-drinking, blonde-chasing swinger; a stout Democrat who’d named his son after Franklin D. Roosevelt, he also strongly supported John F. Kennedy’s presidential bid. Married from 1966 to 1968 to actress Mia Farrow, he began reconciling with youth culture, covering songs, with indifferent success, by younger writers. In 1968 he recorded “My Way,” a French song to which Paul Anka wrote new English lyrics. A modest U.S. hit (#27), it was an overwhelming smash in the U.K., staying in the Top 50 an unprecedented 122 weeks. (Sex Pistol Sid Vicious later recorded a sarcastic version.)
In 1970 Sinatra announced his retirement and was honored with a gala farewell on June 13, 1971, at the L.A. Music Center. He reversed that decision in 1973 with the release of Ol’ Blue Eyes Is Back(#13), a TV special of the same name, and a performance at the Nixon White House (over the years, Sinatra’s politics had become markedly conservative; in 1985, he would produce Ronald Reagan’s inaugural gala). In 1974 he mounted an eight-city, 13-date sold-out U.S. tour and performed in Japan and Australia. In Australia he aggravated the paparazzi with his antijournalist harangues: Through the years he referred to the males as parasites, and the females as everything from “a buck-and-a-half hooker” to “two-dollar broads.” Married to Zeppo Marx’s widow, Barbara, in 1976, however, he appeared to mellow somewhat. In the mid-’70s Sinatra’s career slowed down, but in mid-1980, after a five-year recording hiatus, he released Trilogy (#17),which included a version of “Theme From New York, New York” (#32) that the city fervently adopted.
In the 1980s Sinatra continued to perform sold-out concerts in major halls, to star in movies and TV specials, and to spark controversy for his business and political associations. (His 1972 appearances before the House Select Committee on Crime investigating criminal infiltration into horse racing were front-page news.) With 1981’s She Shot Me Down (#52) and 1984’s L.A. Is My Lady(#58) he appeared to have ended his recording career. In 1985, he was accorded the Presidential Medal of Freedom, the nation’s highest civilian award.
In 1993, however, he enjoyed a renaissance with Duets debuting at #2. Featuring top singers —among them Aretha Franklin, Bono, Tony Bennett, Liza Minnelli, and Luther Vandross (some recording their parts via telephone) —it gained Sinatra new young fans. Still touring, with the aid of TelePrompTers, at 78, he collapsed onstage in Virginia in 1994 but soon recovered; days earlier, when presented with a special “Legend” award at the Grammy Awards ceremony —with an over-the-top intro by Bono —he had waxed so emotional that his own handlers requested that television cameras cut away from his acceptance speech. Rumors abounded about Sinatra’s health, but he insisted on resuming his tour. By year’s end, the sequel Duets II was issued, featuring Chrissie Hynde, Linda Ronstadt, and Willie Nelson, among others.
A 1983 honoree at the Kennedy Center Honors, Sinatra was involved for many years in charitable work, particularly in fundraising for multiple sclerosis, chronically ill children, and awareness of child abuse.
Frank Sinatra died of a heart attack on May 14, 1998, in L.A. That year, his FBI dossier, 1,275 pages covering 50 years of surveillance, was released. The document revealed no shocking secrets.









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BADASS FRANK

as TONY ROME















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Frank Sinatra is TONY ROME







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Merry Christmas Santa Claus

 

 

SANTAzoe

MERRY CHRISTMAS

From SANTA CLAUS

Atwork from my friend ZOE

NYC 2018

 

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GABRIELLA ‘S MIXEDTAPE WINE TASTING

CHAMPAGNIE d VINS 

NOHO

NYC

 

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Me and My BROTHER JIMMY

EASTER SUNDAY

1968

WEST PATERSON

NEW JERSEY

 

“Bad Hair Day for Me. Jimmy looks Good Though.”

 

 

 

 

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The BEST THING EVER !!!

 

RAGU BOLOGNESE

 

by DANNY BOLOGNESE

 

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And The WORLDS BEST EVER RAGU BOLOGNESE RECIPE

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RECIPE  in The RAGU BOLOGNESE COOKBOOK

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Andrea Bocelli Concert MSG 12-13-18 NYC

 

 

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Madison Square Garden

Andrea Bocelli 

December 13, 2018

 

One of the BEst Shows EVer ! Went to see andrea Bocelli at Madison Square Garden the other night. My cousin Tommy Macari got a skybox suite from a friend of his. There were about 18 of us in the private box, including my cousin Anthony and his wife Debbie, Alexndra and Joe Macari and their children Gabriella, Thomas Luciano, and Eddie, and friends of Tommy as well. The skybox private wuite was verry cool. The box had 18 stadium seats as well as a small room with bar stools at a bar and we hd a bar with wine, Campari, Tequila, and otherr beverages and food, including: Sausage Sandwiches, Sushi, Hot Pretzels, Cookies, Cupcakes, and M&M’s ..

The Concert was absolutely wonderful. The feature of course was Andrea Bocelli, and no less amazing was The New York Philharmonic Orechestra and otherr musical guests, whcih include to female singers and a Violin Solist, as well as a Choir from Haiti. One of the many highlights of the evenenings performance was when Andrea intoduced famed Tenor PLacido Domingo and asked him if he would conduct the orchestra in a song from la Traviata. Placido obliged, and it was absolutely wonderful. 

There was a 20 minute interrmission which was great for us to mingle and chat over cocktails in our suite. The 2nd half of the concert program began with an amazing rendition of john Philip Sousa ‘s Magnum Opus STARS & STRIPES FOREVER .. It was phenomenal.

Andrea performed songs: Mamma, Maria from WEST SIDE STORY, The PRAYER, Time to Say Goodbye, Come All Ye Faithful, and other songs. It was a beautiful night and everyone in our group totally enjoyed the evening and thought the concert was fabulous. Thank You Tommy ad everyone who made this memorable evening possible.

 

 

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Our  Skybox Suite for Andrea Bocelli Concert

At Madison Square Garden

New York City 

 

 

Beatles virsus The Stones

 

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Paul McCartney and Mick Jagger on a Train
 
 
 
The Beatles and the Rolling Stones represent two sides of one of the Twentieth Century’s greatest aesthetic debates. In this excerpt from his book Beatles vs. Stones, historian John McMillian describes how the Stones shaped their image in response to what the Beatles had done.
 
 
In order to share in the type of the success the Beatles were having, (Rolling Stones manager Andrew) Oldham insisted that the Stones make some image and personnel adjustments. On the theory that six members was at least one too many for a successful group, Oldham made them kick out pianist Ian Stewart – who anyhow had too square a jaw for Andrew’s liking. Keith Richards was bizarrely instructed to drop the “s” from his last name; Keith Richard, Andrew said, “looked more pop.” Meanwhile, he added a “g” to the band’s name, making them the Rolling Stones; otherwise, he said, no one would take them seriously. Twenty-six-year-old Bill Wyman was told to begin pretending he was twenty-one. But most significantly, Oldham persuaded the band to loosen up its performance. Though Jones still postured himself as the group’s leader, Andrew recognized Jagger’s electric appeal, and insisted that he share in the limelight.
 
The idea to style the Stones as the anti-Beatles, though – to toughen up their image, and encourage them to act as surly and defiant as the dared – came a bit later, and in fact that was the opposite of what Oldham originally had in mind. Instead, one of his first moves was to buy them a set of matching outfits. Wyman remembers a day when Oldham “marched us up to Carnaby Street to put us in suits, tabbed-down shirts and knitted ties.” On other occasions the band could be seen in tight black jeans, black turtlenecks, and Beatle boots. When the Stones debuted on national television, on Thank Your Lucky Stars, they were conscripted into hound’s-tooth jackets, high-buttoned shirts and slim ties, looking every bit as dainty and amiable as the pop bands they despised. Bill Wyman: “It’s obvious to me now that … Andrew was attempting to make us look like the Beatles. From his association with them he was well aware of the power of marketing, and he was initially slotting us as their natural successors rather than as counterparts.”
 
 
 
The Original ROLLING STONES
 
Band with BRIAN JONES
 
 
The following month, though, when the Stones embarked on their first national tour (sharing a spectacular bill with Bo Diddley, Little Richard and the Everly Brothers), they began wearing their outfits in a more slovenly style. One night, Charlie Watts unexpectedly doffed his waistcoat in a Fenland dressing room; eventually Keith Richards’ jacket grew so bespotted with chocolate pudding and whiskey stains that it was no longer wearable. Onstage, the whole group started moving more, and Jagger took to chewing gum as he sang. Offstage, a journalist observed, they appeared in “a jumbled assortment of jeans, silk cardigans, camel jackets and sloppy sweaters. None of the slick suits sported by Bill J. Kramer Gerry and the Pacemakers.” When the Stones appeared on a BBC program in October 1963, they frustrated their interviewer by greeting many of his questions with simple “yeah’s” and “no’s.” But rather than hurting their popularity, all of this seemed to boost their appeal! Their audiences were becoming more demonstrative, more raucous, to the point where the Stones, just as soon as they finished their sets, were forced to flee their venues through the back door and speed off as quickly as possible to avoid getting mobbed. Without ever devising or articulating a formula for instigating a cultural revolt, the Rolling Stones began to stumble upon one.
 
 
 
 
 
 
 
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The BEATLES
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The BEATLES or The ROLLING STONES ?

WHAT Do You THINK ?

Do YOU HAVE a FAVORITE ?

We’d Like to Know

LEAVE a COMMENT

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Russian Tea Cookies for NATIONAL COOKIE DAY Italian Mexican Cakes Recipe

 

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These Cookies go by Several Names

ITALIANor MEXIACAN WEDDING COOKIES and RUSSIAN TEA CAKES or COOKIES

 

RUSSIAN TEA COOKIES

RECIPE :

Russian Tea Cookies  (Cakes)

1-1/2 cups Unsalted Butter
3/4 cup Confectioners’ Sugar
1/2 tsp Salt
3/4 cup Missouri Pecans (Finely Chopped)
2-1/2 tsp Vanilla Extract
3 cups Sifted All-Purpose Flour
1/3 cup Confectioners’ Sugar For Rolling

Preheat oven to 325° F. Cream butter or margarine in a bowl, gradually add confectioners”” sugar and salt. Beat until light and fluffy. Add nuts and vanilla. Blend in flour gradually and mix well.

Cover with plastic wrap and refrigerate 1 1/2 hours.

Shape into balls using about 1 teaspoon for each cookie. Place on ungreased cookie sheets, and bake for 10 minutes. Do not brown.
Cool slightly. Roll in the extra Confectioners Sugar.